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American literature --- Literature --- History and criticism --- American literature. --- Literature. --- 1900 - 1999 --- 1900-1999 --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Agrarians (Group of writers)
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Brazilian literature --- Literature --- Brazilian literature. --- Literature. --- History and criticism --- Belles-lettres --- Western literature (Western countries) --- World literature --- literature --- literary theory --- literary criticism --- Philology --- Authors --- Authorship
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Literature --- Language and languages --- Culture in literature --- Culture in literature. --- Language and languages. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Foreign languages --- Languages --- Anthropology --- Communication --- Ethnology --- Information theory --- Meaning (Psychology) --- Linguistics --- linguistics --- literature --- culture
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Literature --- #GSDBL --- 82 --- #KVHA:Literatuurwetenschap --- Belles-lettres --- Western literature (Western countries) --- World literature --- 82 Literatuur. Algemene literatuurwetenschap --- Literatuur. Algemene literatuurwetenschap --- Philology --- Authors --- Authorship --- literatuurwetenschap --- Literature. --- 82 Literature in general --- Literature in general
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literature and society --- literature --- literary history --- literary criticism --- literary theory --- Literature --- French literature --- Italian literature --- Spanish literature --- Portuguese literature --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
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“Mooney’s gendered approach to twentieth- and twenty-first-century male narratives demonstrates, through an impressively varied global range of authors, that the presumed monolith of Western culture—the Patriarchal Order—is fully porous. Just as something meaningful persists outside the significance of language, something uncanny, mythic, matrixial, operates with an affective power all around the presumably foreclosed fortress of the masculine subject. With admirable dexterity, Mooney blends affect studies, psychoanalysis and feminist narratology (to name only a few) into an astonishing anatomization of the anguished yearning between, among and beyond all the fathers and sons stuck in the amber of our totalized and totalizing understanding of ‘masculinity’.” --Garry Leonard, Professor of English, University of Toronto “The Making and Mirroring of Masculine Subjectivities is a broad-ranging taxonomy of masculinity as a relational and ethical phenomenon, exploring virtually every social and literary role a male character could be expected to assume in the modern and postmodern eras. So what, exactly, is Mooney doing here? Nothing less than reevaluating masculinity in global film and literature. She starts with the most obvious manifestation of patriarchal masculinity (paternity), but quickly juxtaposes it with that other classic masculine narrative pattern (the hero story) that appears to require its protagonist to be self-contained, independent, and all but unencumbered by filial ties. This is a book of remarkable ambition; even more remarkable is how well Mooney achieves what she sets out to do.” --Eliot Borenstein, Professor of Russian and Slavic Studies, New York University This book shows how diverse, critical modern world narratives in prose fiction and film emphasize masculine subjectivities through affects and ethics. Highlighting diverse affects and mental states in subjective voices and modes, modern narratives reveal men as feeling, intersubjective beings, and not as detached masters of master narratives. Modern novels and films suggest that masculine subjectivities originate paradoxically from a combination of copying and negation, surplus and lack, sameness and alterity: among fathers and sons, siblings and others. In this comparative study of more than 30 diverse world narratives, Mooney deftly uses psychoanalytic thought, narrative theories of first- and third-person narrators, and Levinasian and feminist ethics of care, creativity, honor, and proximity. We gain a nuanced picture of diverse postpaternal postgentlemen emerging out of older character structures of the knight and gentleman. Susan Mooney, professor of Comparative Literature at the University of South Florida, USA, is author of The Artistic Censoring of Sexuality: Fantasy and Judgment in the Twentieth-Century Novel (2008).
Film --- Comparative literature --- Literature --- literatuur --- anno 1900-1999 --- anno 2000-2099 --- Comparative literature. --- Literature, Modern --- Motion pictures. --- Literature. --- Comparative Literature. --- Twentieth-Century Literature. --- Contemporary Literature. --- Film Studies. --- World Literature. --- 20th century. --- 21st century.
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This book develops interdisciplinary and comparative approaches to analyzing the cross-cultural travels of traditional Chinese fiction. It ties this genre to issues such as translation, world literature, digital humanities, book culture, and images of China. Each chapter offers a case study of the historical and cultural conditions under which traditional Chinese fiction has traveled to the English-speaking world, proposing a critical lens that can be used to explain these cross-cultural encounters. The book seeks to identify connections between traditional Chinese fiction and other cultures that create new meanings and add to the significance of reading, teaching, and studying these classical novels and stories in the English-speaking world. Scholars, students, and general readers who are interested in traditional Chinese fiction, translation studies, and comparative and world literature will find this book useful. Junjie Luo is Associate Professor of Asian Studies at Gettysburg College, USA. His essays on translation and transnational studies of traditional Chinese literature have appeared in Comparative Literature Studies, Perspectives: Studies in Translation Theory and Practice, ISLE, and Translation Quarterly, as well as in the edited volumes Historic Engagements with Occidental Cultures, Religions, Power (2014) and Philosophy as World Literature (2020).
Translation science --- Linguistics --- Literature --- Asian literature --- World history --- History --- wereldgeschiedenis --- geschiedenis --- literatuur --- vertalen --- linguïstiek --- China --- Asia --- Oriental literature. --- Literature. --- Translating and interpreting. --- Asian Literature. --- World Literature. --- Language Translation. --- History of China. --- History.
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Literature --- Criticism --- Art criticism --- Critique --- Littérature --- Critique d'art --- Periodicals. --- History and criticism --- Périodiques --- Histoire et critique --- Art criticism. --- Criticism. --- Literature. --- Arts and Humanities --- Social Sciences --- General and Others --- Belles-lettres --- Western literature (Western countries) --- World literature --- Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Art --- Arts --- Appraisal --- Technique --- Evaluation --- Analysis, interpretation, appreciation --- Philology --- Authors --- Authorship --- Rhetoric --- Aesthetics
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Founded in 1959 by a group of professors from Amherst, Mount Holyoke, Smith, and UMass Amherst, MR is one of the nation's leading literary magazines, distinctive in joining highest-level artistic concerns with pressing public issues. "It is amazing that so much significant writing on race and culture appears in one magazine" (The New York Times). A 200-page quarterly of fiction, poetry, essays, and the visual arts (its original template was designed by artist Leonard Baskin) by both emerging talents and Pulitzer and Nobel prizewinners, special issues have covered women's rights, civil rights, and Caribbean, Canadian, and Latin American literatures.
American literature --- Arts --- Literature --- Political science --- Littérature --- Science politique --- Periodicals --- Périodiques --- Current events --- Arts. --- Current events. --- Literature. --- Arts and Humanities --- Language & Linguistics --- Philosophy --- Belles-lettres --- Western literature (Western countries) --- World literature --- Events, Current --- Fine arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Arts, Daghestan --- Study and teaching --- Philology --- Authors --- Authorship --- History, Modern --- Humanities --- Arts, Primitive --- English literature
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German literature --- Fiction --- tekstanalyse --- Literary semiotics --- German fiction --- Literature --- History and criticism --- 82-3.0 --- -Literature --- -Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Proza. Fictie. Narratologie--?.0 --- -Proza. Fictie. Narratologie--?.0 --- 82-3.0 Proza. Fictie. Narratologie--?.0 --- -German literature --- Belles-lettres --- German fiction - 20th century - History and criticism --- Literature - History and criticism --- -History and criticism
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